Long awaited. We are finally getting the follow up to the highly praised Mothers Are To Blame and it comes equipped with all the Key! components he is well known and loved for.
See what I mean by that is that there are things that let you know this is Key! audio you are listening to (many of these thing highly imitated in the scene right now.) The slurred verses / Repeating himself in stylized ways. Even on a team of many men per song it’s easy to tell when Key!’s verse starts. Production is on point but you already knew that. Key! definitely has an ear for what sound works for him and I like the way the sounds of the many producers of the project mesh to give the audio it’s complete sound.
Another thing I dig about the project are the collaborations. They seem quick almost. Even when a feature appears it still feels like a Key! track. I always feels like they’re just there to aid Key! and not to take over the audio which is how it should be.
Of course there is the whole “Two9 or Not?” controversy surrounding the release but we’ll save that for another time. As for know let’s just enjoy the project that I have been anticipating more than any other Atlanta release in recent history.
And S/O to Kei (Kei like Key) for keeping us posted through out the project release.
@FATMANKEY
