Key just continues to prove that he can churn out catchy hits on command and this project is no different. I mean seriously Key! is proving to have the magic touch. If you want to be on then you need a Key! collab.
I will say that this project, as short as it is, is bottom heavy. The most memorable tracks come near the back end. KNOW U, PERFECT, and PARTY are jus awesome while the first two kind of just sound a bit more aggressive and while they are dope tracks with great lines the are a little less memorable.
The stand out track on this is obviously PERFECT. Basically it sound like Key! just being Key! and not giving a eff what the track is going to sound like which of course ends up making the track sound awesome. As one of my correspondents stated it almost sounded like he was just going to use some stuff as place holders and freestyled somethings with the intention to go back later and just didn’t. We are glad he didn’t because this is going near the top of the Key! catalog.
S/O to all of OPB
@FATMANKEY
Long awaited. We are finally getting the follow up to the highly praised Mothers Are To Blame and it comes equipped with all the Key! components he is well known and loved for.
See what I mean by that is that there are things that let you know this is Key! audio you are listening to (many of these thing highly imitated in the scene right now.) The slurred verses / Repeating himself in stylized ways. Even on a team of many men per song it’s easy to tell when Key!’s verse starts. Production is on point but you already knew that. Key! definitely has an ear for what sound works for him and I like the way the sounds of the many producers of the project mesh to give the audio it’s complete sound.
Another thing I dig about the project are the collaborations. They seem quick almost. Even when a feature appears it still feels like a Key! track. I always feels like they’re just there to aid Key! and not to take over the audio which is how it should be.
Of course there is the whole “Two9 or Not?” controversy surrounding the release but we’ll save that for another time. As for know let’s just enjoy the project that I have been anticipating more than any other Atlanta release in recent history.
And S/O to Kei (Kei like Key) for keeping us posted through out the project release.
@FATMANKEY